Tom: D D Am7 C° G C° G Am7 G C° G G° She's not so good in a crowd, but when you get her a - lone, D7 Am7 C° D7 You'd be sur - prised; Am7 D7 Am7 D Am7 D7 Am7 D7 F#7 She is - n't much at a dance, but when I take her home, G D7 C° G You'd be sur - prised. G7 Am7 C Am7 D Cm She does - n't look like much of a lov - er, Cm7/5- G B7 C° E7 But don't judge a book by it's cov - er; A Em7 A Em7 A C° A7 She's got the face of an an - gel but D Am7 D9 Am7 D9 Am7 D7 There's a dev - il in her eye. D Am7 C° G C° G Am7 G C° G G° She's such a del - i - cate thing but when we start to squeeze, D7 Am7 C° D7 You'd be sur - prised Am7 D7 Am7 D Am7 D7 Am7 D7 F#7 She's does - n't look ver - y strong and tho' she's weak in the knees, G D7 C° G You'd be sur - prised. C Am7 Em7 Cm At a par - ty or at a ball, Cm7/5- G B7 E7 C° I've got to ad - mit she's noth - ing at all, E7 D Am7 D7 C° G D Bbm D7 But in a Mor - ris chair, you'd be sur - prised. D Am7 C° G C° G Am7 G C° G G° She's not so good in the house, but on a bench in the park, D7 Am7 C° D7 You'd be sur - prised; Am7 D7 Am7 D Am7 D7 Am7 D7 F#7 She is - n't much in the light but when she gets in the dark, G D7 C° G You'd be sur - prised. G7 Am7 C Am7 D Cm I know she looks as slow as the E - rie, Cm7/5- G B7 C° E7 You don't know the half of it, dear - ie; A Em7 A Em7 A C° A7 She looks as cold as an Es - ki - mo, D Am7 D9 Am7 D9 Am7 D7 But there's fi - re in her eyes. D Am7 C° G C° G Am7 G C° G G° She does - n't say ver - y much, but when she starts in to speak, D7 Am7 C° D7 You'd be sur - prised; Am7 D7 Am7 D Am7 D7 Am7 D7 F#7 She's not so good at the start, but at the end of the week, G D7 C° G You'd be sur - prised. C Am7 Em7 Cm On a street - car or in a train, Cm7/5- G B7 E7 C° You'd think she was born with - out an - brain, E7 D Am7 D7 C° G Am7 C° G But in a tax - i - cab, you'd be sur - prised.