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Tom: Am
Intro: | Am7 | D7/9 Dm7/9 | C7+/9 | A7/9- A7(5#) |
| Am7 | D7/9 Dm7/9 | C7+/9 | A7(5#) |
Am7 D7/9
You are so good to me
Dm7/9 C7+/9
and your love is the ispiration
A7(5#)
that i need
Am7 D7/9
Writting songs for you
Dm7/9 C7+/9 Gm7 C7/9-
is the way i find to thank you for this
Am7
Face to music, dance to the music
D7/9 Dm7/9
Now i hear the sound of music
Em7
and you kisses take it closer
A7/9- A7(5#)
to perfection
Am7
You are beyond the imagination
D7/9
you were the dream team
Dm7/9 C7+/9 A7(5#)
you are so good to me
Am7 D7/9
you are so good to me
Dm7/9 C7+/9
and i hope to give you back
A7(5#)
the piece of light
Am7 D7/9
that you give to me
Dm7/9 C7+/9
and it feels like bossa nova
Gm7 C7/9-
by Jobim
Am7
The solution to my dilema
D7/9 Dm7/9
you are my girl from Ipanema
Em7
ispiration for my samba
A7/9- A7(5#)
in slow motion
Am7
you are the top, you are my devotion
D7/9 Dm7/9 C7+/9 A7(5#)
my slow motion bossa nova dream
| Am7 | D7/9 Dm7/9 | C7+/9 | A7(5#) |
(instrumental)
| Am7 | D7/9 Dm7/9 | C7+/9 | Gm7 |
Am7
Face to music, dance to the music
D7/9 Dm7/9
Now i hear the sound of music
Em7
and you kisses take it closer
A7/9- A7(5#)
to perfection
Am7
You are beyond the imagination
D7/9
you were the dream team
Dm7/9 C7+/9 A7(5#)
you are so good to me
Am7 D7/9
you are so good to me
Dm7/9 C7+/9
and i hope to give you back
A7(5#)
the piece of light
Am7 D7/9
that you give to me
Dm7/9 C7+/9
and it feels like bossa nova
Gm7 C7/9-
by Jobim
Am7
The solution to my dilema
D7/9 Dm7/9
you are my girl from Ipanema
Em7
ispiration for my samba
A7/9- A7(5#)
in slow motion
Am7
you are the top, you are my devotion
D7/9 Dm7/9 C7+/9 A7(5#)
my slow motion bossa nova dream
Am7
The solution to my dilema
D7/9 Dm7/9
you are my girl from Ipanema
Em7
ispiration for my samba
A7/9- A7(5#)
in slow motion
Am7
you are the top, you are my devotion
D7/9 Dm7/9 C7+/9 A7(5#)
my slow motion bossa nova dream
|: C7+/9 | C6/9 :| [repete esses acordes até o
final, instrumental]
(instrumental) [20 compassos em fade out.
]
__________________________________________________________________
| |
|*OBS: os primeiros 4 compassos têm apenas cordas e sopro, |
| no 5° compasso entra a bateria e logo o contrabaixo. |
| Ja no 6° compasso entra a intro. As barras "||" dividem |
| os compassos. |
| Outro aspecto importante é a divisão harmônica, na |
| parte do C7+/9 e o A7(5#) a divisão se da assim: |
| | Am7 | D7/9 Dm7/9 | C7+/9 | C7+/9 A7(5#) | |
| Ou seja, o C7+/9 fica por 1 compasso e meio, assim |
| o A7(5#) fica apenas 1/2 compasso servindo como passagem |
| devolta ao Am7 pertencente à tonalidade da música. |
| Quando aparece o Gm7, ele ocupa o lugar do meio compasso |
| do C7+/9 , ou seja, divide um compasso com o A7(5#). |
| Na introdução e no meio instrumental, a divisão harmônica |
| é comum, um compasso para cada acorde. |
| Os acordes A7/9- e A7(5#) compartem um compasso, |
| sempre que aparecerem. |
|_________________________________________________________________|
Tirei também uma parte pequena do contrabaixo que eu
gostei da melodia,
é simples, mais vale a pena escutar bem (aos 2:53s da
música).
G|-5-4---0-4-2-0---0-----|
D|---------------2-------|
A|-------------------3---|
E|-----------------------|